On 5 December, Abba Seraphim and Subdeacon Daniel Malyon attended a performance of scenes from the York cycle of the mediaeval mystery plays, which was being performed at St. George-in-the-East Church at Shadwell. This was the first year that the Players of St. Peter, a long established group of amateur and professional actors, had performed at Shadwell. The extracts ranged from the Fall of the Angels and Moses and Pharoah through the Annunciation, Nativity and Baptism and concluding with the Last Judgement.

Mystery plays, depicting biblical stories from Creation to Doomsday were a common way of marking religious festivals in towns and cities and traditionally performed by different trade guilds were widespread throughout England, but fell into disuse at the Reformation when puritans disapproved of religious drama as much as they did of liturgical worship.

Commenting on the genre, Abba Seraphim observed that they had served as a catechetical device for rustic people of simple but strong faith at a time when the scriptures were not readily accessible. They were sound in doctrine and encouraged a good knowledge of both old and new testaments as well as a lively sense of good and evil.  Despite our sophistication and ready access to the scriptures, we live in a society where the Bible is a little-read best seller and, apart from regular church goers, knowledge of God’s purpose in creation and redemption, is abysmal today.  He commended such plays and agreed with the Players’ desire to feel in touch with a very ancient English tradition  of celebrating religious festivals.